Posts about the Painting Titled “46605”
I want to thank everyone for all the praise I have received about 46605. I have painted a work of Art that is exceptional. It is the most beautiful picture in existence. I lived with it and a T.V. I would rather gaze at the painting than watch T.V. There is so much to see. It truly is a wonderful gift I have given the world. I am happy that it is available, finely, for people to see. And, I appreciate the praise from people who have seen 46605.
Thank you very much.
When John Hostler wrote his book, my number 46605 became a possible area for a work of Art. The number might not have had any history as an area prior to that. But, I suspect the number 46605 does have more history than that; perhaps even prior to the invention of the Decimal.
I have not said this before, that the number is the dimensions of the painting in inches because I thought it was a no brainer. I thought of no other interesting composition content for a large painting than it’s dimensions.
I purchased the canvas from a sail maker in Santa Cruz. After calculating some possible dimensions, I picked 46×60.5 because the number looked pleasing and sounded nice. Looking at the back of the work, there is more canvas pulled around the stretcher bars in one dimension indicating that the canvas might be for a size taller than forty-six inches. I used that extra canvas on the back of the painting for my signature: Jeff Devitt UCSC instructor Kacy Kladget.
I was taking a rigorous Philosophy sequence of classes that year, and UC Santa Cruz had John Hostler’s book at the college library. I did not see it, however, until after I painted.
If it is any interest to the reader, there were some studies, one in particular that was used for the painting; but, those studies were thrown away by my father. I looked for them in 1993 among my portfolio stuff and they were missing.
In prior posts I’ve mentioned the art supplies. Try the 46605 link at the bottom of this post if the reader is only interested in the painting.
This Painting is painted from skills acquired while a student at the University of California at Santa Cruz under the instructor Kacy Kladget. It should be considered a supplement to the work 46605 at the Los Angeles County Museum of Art by Jeffrey Devitt. In 46605 there is a set of axis in three dimensions. The reason I painted this painting is that the axis needs to be ordered. Thus I have painted a 5 to illustrate the way in which the axis is to be ordered; the right hand rule.
It is an original Jeffrey Devitt although it is not signed, and not framed. I am giving the work to my Aunt. The expectation is that the museum will want to see it, however I am so limited that it would be impossible unless she makes an arrangement.
I wrote that I’m loosing my girlfriends due to a function of the work of Art titled 46605 in an earlier post – differentiation; but, now in this last two posts I wrote about differentiation of the conscience. I know I’m not getting anywhere with it. I’m a primary quality whose mental illness manifests in an understandable way. I just wanted to acknowledge the differentiation function in terms other than what a girl’s natural process has within. The truth that it is no big deal is perhaps better understood by young people who wouldn’t appreciate my painting’s nature.
Posts in this reading cell:
I have written about differentiation, however the reader would have had to have read some of my earlier posts to know I have already said some stuff on the conscience. Well, I will mention it again. This post is on differentiating the conscience.
The twenty-second chromosome exists in a dominant and recessive trait. The people with more interaction with the world, have more information to process, or feel strongly about a certain idea have a dominant trait for the twenty-second chromosome.
The reason this gene is responsible for our conscience is because it is possible for a person to inherit a dominant gene from both parents. It causes a genetic disorder known as phocomelia. The dominant-dominant disposition is very assertive. It is like the parent’s consciences together in one body. As you can see I’ve been begotten. But, this genetic disorder fuels the differentiation process. We think stuff about our selves because we also have the same twenty-second chromosome and are affected by the person with phocomelia.
People with a recessive disposition for the twenty-second chromosome also work correctly. They trust their own feelings and make decisions from within. They’re a free spirit.
It is common to have one dominant gene and one recessive gene – one from each parent. It is also common to inherit two recessive genes. The phocomelia is not common. Out of the rare occasions when the dominant-dominant disposition survives the assertiveness in one body of the parent’s consciences, the offspring has the blood-type AB.
So, some things fall into place. It is conceivable for this text to explain mental illness. A person could suffer indirectly from phocomelia more particularly than normal. It also depends on the kind of mental illness depending on their particular dispositions of the same twenty-second chromosome.
Now I have said my peace as to the conscience and differentiation.
I’ve marked 48 Fine Art public. If it has to have a date, it would be – March 18, 2018. I’ve marked The Painting of Betty’s Paint Box featuring some white canvas public. That date is December 31, 2021; when Betty White died at age 99. Why Betty White? October 19, 1991.
This is the Getty / Betty post.
Betty was Grandma Kay’s sister, I named Kay’s Paint Box, “Betty.” Betty lived out in the desert and it was thought that Kay would accept her Paint Box. I now believe that the Paint Box came from a Getty Staff person. That’s right, it was a designed paint box for the knowledge about Elwood and J. Paul Getty Jr. Isn’t that a delusion? Betty’s Paint Box was designed by someone who knew about J Paul Getty Jr’s contract and planted the Paint Box at Grandma Kay’s house.
J Paul Getty Jr. post for who Elwood is. Kay was Elwood’s wife. She gave me the paint box to use at UC Santa Cruz. She said to me, “the problem is in here,” I took the paint box with me when I went to Art School. I painted 46605 with those ART supplies. After that there was nothing left. The supplies were old oils. I got the painting 46605 from that paint box.
The only way I know that we got something from the Getty is by the name I have given to the Paint Box; Betty.
Are you interested in the Murder story? See the movie, The Titanic where there is an implicit discussion. Francis Beeks died in 2010. Have Betty promise us 46605 will never fall into the Getty holdings.
I’m losing my girlfriends due to artistic differentiation. Look at this image. It is a derivative of the 46605 composition. How am I losing my girlfriends? They are having sex; just with other men. They are not technically cheating. They are just choosing someone else out of the ART’s Nature. Another man is easier.
Now my mind is musing that a relationship could yield great beauty sexually if only I had a chance. The reality though is that I’ve been cheated on too much. It would be easy for a girlfriend to cheat due to my losses thus far.
The main idea on beauty to me means a committed girlfriend that wants to cultivate a mutually loving relationship. I know this sounds traditional. A good girl could resist these iterations of differentiation as they occur. Take the example of the driver’s license. Does your card read CALIFORNIA across the top and a white tinted circle where the details of name are printed? Is that not the same as the derivative shown above? A good girl should not give out just because someone can corroborate her DMV information. A Loving relationship should develop with better criteria. I am sure I can create that something better.
There is an edit to the Art and Artist post. See: Art and Artist. I have located the psychologist that is determined to find the 46605 Art-work a permanent home.
I have a presentation to mail to the museum. It is not on the topic of art. I have to locate the essay and then edit it. I will mail it to the museum as soon as it is ready. Please have patience.
Comment: March 13, 2010; I am going to send insurance money for the painting. A directive is developing in which the painting might need to be registered with a gallery in Russia. I listened to the Metropolitan Opera show today. The title for the opera is The Nose, a Russian story of the painting’s number. Recall that the painting is itself.
Thank you.
Since I have already mentioned that the Painting’s black paint had a smell of motor oil in a previous blog entry; (see: Gevluef’s 48 Fine Art Post), I also need mention that there were metal filings in that paint supply as well. Therefore, I want the new owner to demagnetize the Painting.
It is common knowledge to assume that paintings become magnetized over time. There are obviously metals in the paint supplies. My painting has a lot of metals. It should be demagnetized to refresh it’s affect.
The way in which you get this task done is by calling a T.V. Repairman. You should explain that T.V. picture tubes are demagnetized as a service when TVs get repaired. Ask the Service Shop to bring that equipment for the task of demagnetizing the painting. The T.V. repair person will hover the tool over the painting in the same way as for the T.V. tube. No contact is required to accomplish this task, and it makes a big difference to the viewer.
The Art Historian has this as an essential task for any installation of a newly purchased Work of Art.
I hold the belief that Hemingway had the visual reference system of abstraction reversed. Hemingway incorrectly thought that “alltrac” was for work, and the simplier bedroom “olmec” was the logo for home. I have this important expression organized the right way. I put the “alltrac” version of abstraction in the bedroom and the easy one-one “olmec” at work. Remember that Kennedy said that they were reversed, or said to reverse the last part in order to correct Hemingway’s philosophy. Below is the easy one.
45 PERCENT 