Category: ART

RT is the old Humanities. The interaction of Diabetic and Hepatitis brings to the creating of Art much learning.

The Texas Secret

Some of my readers have seen my painting. It is possible that 46605 is an object of special study. That’s okay. I have written about the painting here in my blog myself. There is a post called 48 Fine Art. It tells about the art supplies used for the 46605 work.

image 172746302_VolkswagenBeetle1200ServiceRepairManual1961-1965

Today is mother’s day, and I bring the most compelling news. My father has a secret from his mother Rosie Devitt. She never knew that he offended gas. She always professed that she didn’t know anything about it. But, she believed she was referring to Arlene’s father who was murdered by Francis Beeks when Arlene (my mom) was a teenager. Rosie was really in denial about dad and what he did before I was born. Rosie has passed away since 1995. This family also lost her as a service in 2001. She was born in Pittsburgh Texas. The painting seems to be a worthy notice for her to discover a fact about my dad. It is my note to Grandma Rosie the news of my dad.

I’m only telling you this because the people of Texas have been talking about a secret for a little while, and it is my responsibility to explain. They are saying that JEFF is much more than they realized. Rosie was a woman with a strong mind. She deserves to be in the Art History formula because of what the painting tells her about my dad. She deserves to be in the L.A. culture because she lived in Los Angeles all her life. Writing about Rosie will get the readers in Los Angeles. Basically, I am telling what the secret is. I hope I don’t spoil things for the Texas reader.

Please recall that I have written about J. Paul Getty Jr. in previous posts. He hired Francis to kill my grandfather on my mother’s side because he was molesting his daughters. Arlene is my mother who has three sisters. Francis has passed away recently. The crime was never correctly recorded. I think that the family officially called my grandfather’s death a suicide. I met Mark Doolan the son of J. Paul Getty Jr. who has said that his family deeply regrets the hit. At the time, J. Paul Getty Jr. was living nearby my mom’s childhood home and contracted Francis when Elwood wouldn’t leave the girls alone.

This is supposed to be about Rosie and I have mentioned people on my mother’s side when in fact Rosie was on my father’s side. You should be able to make a build as to how my father could keep a secret from his mom. He would just bring up Arlene. Rosie would have nothing to do with that; and she is in denial about my dad’s gas problem.

Also keep in mind that I would have a great difficulty if 46605 fell into the Getty holdings. It is bad enough that I painted. I learned about my grandfather Elwood Polsen after that. I am doing just fine with everything how it is. The painting is open to the public in Los Angeles. This post is supposed to help the Art Historian develop material on my painting that is accessible. And, I have been telling about what the painting means to Rosie Devitt in the mind. And so, I want to wish everyone a Happy Mother’s Day!

Comment March 18th, 2018. This is a lot of drama about the car. I just need to note here that the car was dismantled and engine melted down. It felt like I fell into a pit right when I was having tea. So, I’m calling it my Tea Scenario.

Life World

I want to thank everyone for all the praise I have received about 46605. I have painted a work of Art that is exceptional. It is the most beautiful picture in existence. I lived with it and a T.V. I would rather gaze at the painting than watch T.V. There is so much to see. It truly is a wonderful gift I have given the world. I am happy that it is available, finely, for people to see. And, I appreciate the praise from people who have seen 46605.

Thank you very much.

English Professor

In 1989 while living with my girlfriend at our Goleta apartment I attended Santa Barbara City College. The most peculiar English professor had me in which I was subjected to things parallel. Because I took his class I was being opened. It is sort of like a feeling of nervousness and jumpiness, or like something is about to happen. I suppose I got that from one of the reading materials, Far Tortuga. But there were other books like Gertrude Stein. She had written with the remarkable willingness to repeat her words. So, yes I was being opened but there was a certainty involved.

I was recently opened, and it brought back a lot of feelings about my experience in that English class. I imagine that I am getting over the trouble I was in after my concert fiasco and the painting. I guess I felt that my professor was getting through my historical difficulties and could still reach me. Being opened this time was reassuring.

Comment; Dec. 29, 2015. I want to comment on this post now that I have some insight on being opened. The remedy for the feeling I described here is the tea ceremony. Place the hot teacup on the table in front of you and allow it to cool until drinkable.

I Am Toning

I’m reading The Mozart Effect by Don Campbell and there is a section on Toning. I got interested in toning when I realized there is a lot of Ah’s and Om’s in my speech. I’m not thinking letters. What else could I be doing then?

I realized that I am toning. I have since found some value in elongating those Ah’s and Om’s in the form of a natural sounding tone. I am dealing with my problem in a productive way: Toning!

YouTube Video on Vocal Toning

The Landfill

I have given this post a Tag: Lithographic, Printmaking. Although there are four other posts on this subject here at Gevluef. Use Search, “Horsechestnut” to get the others. UC Santa Cruz has a lot of limestone for fine art printing. It is a major collection, and a reason to go to UC Santa Cruz – or not. They have a landfill.

I saved quite a lot of horsechestnut seeds from Seattle which I brought with me on my vacation to Taos and Chico California. During my vacation I determined the seeds would most benefit the lithography studio at UC Santa Cruz. At UCSC there is an excellent collection of lithographic limestone for printing Art. The infused fresh water would be good for them since they are fine porous limestone and they absorb water from the printing process. So, I mailed the horsechestnut seeds to the UCSC lithographic studio. That was the beginning of the problem.

It was the summer session at UCSC in 2001 and the Teacher’s Assistant received my collection marked as “ART SUPPLY.” He opened the package and the plastic tub containing the seeds. Then he said quietly, “I’ve been had!” He didn’t even look at the paperwork; he just threw everything away as if he wanted no part of it. There were over fifty seeds in that collection. That’s enough to make sweet water for lots of printmaking sessions. But the highly valued seeds went to the landfill instead. I have to make it clear to the reader that I intended the seed collection to be used at the lithography studio. When I am asked if I put the horsechestnut seeds in the landfill, I tell people, “I can’t do it.” If you are from Santa Cruz and blame me for this problem, I am sorry. I have had horsechestnut seed infused water in my body. I have some concerns about the landfill. I have to deal with the unexpected outcome of the landfill because the TA wasn’t interested in learning what the seeds were.

I imagine that the seeds have made the landfill fresh and sweet, and that the people in Santa Cruz have trouble with it leading to the body. They were thrown away in 2001, so there is an entire section of the landfill affected; but, that they were buried long ago. There are some things to consider about this problem, but you must think that our cash-bills have horsechestnut seed as a fundamental element in the cash design – perhaps it is the ink or the paper.

The TA eventually found out that something went wrong and learned about the seeds after the fact. He has visited Seattle Washington where the seeds grow in the wild. At this late date, I have had the expectation that he introduce horsechestnut seed into the lithography studio like I planned; but, I have not been satisfied as to any progress toward my original intention.

Donating to Jeff

Tim Yates who I’ve written about in previous posts believes my money belongs to him. There is a moratorium on me receiving money because he is blocking it from coming in. To this day, I still have not received any money from donations.

I continue to donate, however, from a cache of funds involving the staff. Mostly these donations are made with the understanding that the staff is operating as a non-profit. I am being left out of the formula. This no longer works for me because I am the only one without money from a vast array of friends and family with millions.

People have tried to donate to me only to have their mail returned. This is consistent with the staff directive established by Tim Yates also known as Hugh Farrell.

Most of the people who know about me donate because I made a big splash in mental health when I got my rhinoplasty in October of 1991. If you don’t know what a rhinoplasty is then you should learn about it. But if you do know about the rhinoplasty, you probably know that I’m supposed to get the old money and that my problem is that new money doesn’t do that. It’s pretty much all staff money.

The rhinoplasty is more than twenty years old though, and I have to start the matter of royalties from my painting. This matter is becoming more important because I am 45 years old. This is the minimum age for an annuity. The money that comes in from the painting in the form of royalties should reach me directly. Because of Tim or Hugh Farrell I’m not getting my royalties. So, I’m asking for my royalties on the painting. At this point just sending a check won’t work. I would like it very much if a private investigator could be hired to try to get money to me directly. I know that I am not asking for too much. But it has to be done. Thank you for your prompt attention in this matter.

Architecture and Art

All that I ask is that it be an original. The architect cannot tolerate any movement. The building design is based on a simple idea which the many plans of the structure are iterations of. The building must make sense. That simple idea must remain true throughout the design. So, I’m asking again to be sure in case the architect likes Art, if there is any Art at the drafting location, that it please be original Art.