Lithography and Sweet Water

This post is part of the Horsechestnut seed group; there are 6 in total. The directive is to use the Horsechestnut seed water in the Lithographic printing process.

I have truly a epic story to tell about my learning.  The seed was meant for the water.  I waited and was told it was ready; then I would drink it.  I was dynamic.

The sweet water was meant for the Limestone!  So, for the Lithographer those seeds are in the bottom of the water that keeps the printing stone functioning.  Adding the ink and the wet parts will get sweet water.  I am telling something about lithography.

So I sent some seeds to England maybe Donnelly Press that made invitations and announcements.  That worked pretty good but it was in England.  So in 2001 just a couple of months before the 911 attack I figured I was done with my drinking of fresh water. So, I sent all the seeds to the Lithography Studio at the University of California at Santa Cruz.

The TA that summer made the mistake of discarding the seeds.  So, they went to the land fill.  If there is a problem with that, the person should move away from the region.  Go to the Southwest and live healthy.

Patina or Mold

I have been focusing my attention on the visual arts such as the fundamentals and functions of Color Theory.  My primary artist and point from which I begin is from the work of Cezanne.  But I also think color theory could be applied to movies such as The Dick Tracy Movie with Madonna (1990): Link to Dick Tracy Movie. I recall that color was relevant theoretically from one scene to the next. It is no accident that I should mention these examples. I do so because they effectively do the same function.

The resultant meta-social and deconstruction tendency in relation to color appears to have broadened the boundaries of sustainability in today’s American Culture. I know the inclination of a normal person would say, (one) that there must be some Record which sufficiently gathers substance is interpreted as if it were something you should know about, (two) or else something you couldn’t possibility know about but still persistent in your perceptions. I believe there are sufficient sources in place for the particular problem epitomized in the biographical data of Cezanne and not so much his paintings unless they were the subject of historical context, his paintings were for the time Crushingly Beautiful. The theories are still within us because as we have modernized they have taken root institutionally like a can of soup or an ink blot. The problem Cezanne had is happening less frequently. For people who have heard of him know that he did suffer and that painting was his pastime. We have Dick Tracy to thank for his contribution for at least three-quarters of the last century.

We would say even by general terms that suffering should not exist. I still manage these theories although it seems better to live while practicing them.  It is not much different than normal life; a religion such as practicing Roman Catholic is recognized through out. Not only is “Jesus” known for his forgiveness, but the practice of religion is therapeutic. Such a study has been rigorous and it is rather pleasant for the solution to be a “way of life” popular in today’s culture.

Vincent’s Red Vineyard

redvinyard

This picture appeared in ARN’s Blogspot, an image from an Art Book.  I gave a lot of citation info.  It is a Vincent van Gogh. It was originally purchased by Eugene Boch, The Red Vineyard; one of the only paintings that van Gogh sold.  It was painted in November 1888.  Though at the Pushkin Museum in Moscow, it was rumored for sale to the US.  It’s called the Red Vineyard; I believe it has recently been acquired.  I have some enthusiasm.  Hundred